Color Master

Event designer Billy Butchkavitz creates extraordinary environments for HBO’s biggest celebrations.


Bold. Vibrant. Exotic. The lavish, elegant and over-the-top creations that event designer Billy Butchkavitz creates for HBO’s annual Emmy Awards and Golden Globes celebrations are legendary in Hollywood, making them the hottest party tickets in town. His rich and opulent style — often inspired by strong Asian, North African and Spanish cultures he encounters in extensive ,  around the world in search of treasures to fulfill his vision — first caught the eye of HBO executives in Hawaii in 1994. Since that time the Pasadena resident has been the cable giant’s exclusive party planner, creating not only awards season bashes but every grand event HBO decides to throw, from series-premiere celebrations to high-end executive retreats.

The Emmy extravaganza is Butchkavitz’s biggest annual soirée. Held in a massive custom-built tent on the fountain plaza of West Hollywood’s Pacific Design Center for the 14th consecutive year, the 2016 gala used water as the design inspiration. He started choosing patterns and developing a color palette for the September gala in February — seven shades of blue, from the palest aqua to the darkest navy. By May, large-scale décor elements were finalized, original furniture designs were being made into prototypes for approval and the design of the custom-made, rippling-water–patterned carpeting (all 59,000 square feet of it) was fine-tuned.

Butchkavitz says the eight days leading up to the Emmy bash are always intense: That’s when the tent goes up and the venue is built. “I have to do everything from meeting with electrical inspectors and the fire marshal for the permits to dealing with the fact that HBO has added more people to the guest list at the last minute, which means you have to build a bigger kitchen and order more restroom trailers,” he says.

Then there are those things that are beyond anyone’s control. Last year, a torrential downpour delayed the delivery of the Emmy party’s carpeting. “The trucks were coming in from Georgia,” he recalls. “It was like a river on San Vicente, so we had to cancel everything for a day and find someplace for the trucks to park.”

Over time, he has learned to roll with the punches — and anticipate disaster, even if it never comes. “If the party is on the 10th, I tell my vendors it’s on the first,” he says, “because a lot of my material coming from overseas can sometimes get caught up in Customs. I overorder a lot, too, because I always have a backup plan if something doesn’t get here in time.”

On the night of September’s fete, which celebrated HBO’s six Emmy wins including Best Drama Series (Game of Thrones) and Best Comedy Series (Veep), a water-themed collage — created by Butchkavitz’s longtime event photographer, Gabor Ekecs, based on Butchkavitz’s designs — served as a backdrop for the 150-foot press line. Invitees then walked through (or relaxed in) a 105-footlong lounge, built around a huge rectangular fountain, which stretched from the entrance to the VIP dining pavilion. Twenty-five-foot-high decorative perimeter walls constructed to enclose and enhance the space were covered with two-tone metallic jacquard punctuated with 25-foot-high blue metallic columns. Guests feasted on Wolfgang Puck’s cuisine at tables topped by hand-blown aqua pedestal bowls with floating “dinner-plate” dahlias, creating the effect of tabletop water gardens. A 24-foot-tall cascading fountain sculpture held court in the multicolored dining pavilion, while the lighting, a crucial element in all of Butchkavitz’s dramatic designs, created the impression of being underwater.

“Lighting is everything,” he says. “It helps to set the mood, enhances the environment and defines the energy of the event. Since 90 percent of my events take place at night, I depend on the lighting to convey my design message and to showcase my work.” 

Not surprisingly, Butchkavitz says the secret to pulling off celebrations of this magnitude is to be organized. Knowing how, where and when to spend money is crucial, too. Though his parties look like a billion bucks, during his international travels with his brother, Brian, Butchkavitz is always on the lookout for skilled artisans and quality materials with the lowest prices. (Butchkavitz runs day-to-day company operations with a team of four: Brian; their sister, Peggy, who does the bookkeeping from her New Jersey home; and Butchkavitz’s best friend, JR.) “We just go on our adventures and find weavers and textile factories,” he says. “When I go to Chiang Mai [in northern Thailand], China or Rajasthan, India, I can draw a picture of what I want — whether it be a vase, a chandelier, furniture, textiles or costumes — and they will make a prototype for me to approve before it goes into mass production. I don’t go to the wholesaler. I go to the place where the wholesalers buy. I get more bang for the buck that way and HBO appreciates that.” 

They also appreciate his distinctive designs. “Billy’s creativity and ingenuity are limitless,” says HBO Vice President Lauren McMahon. “Each event is an amazing realization of so many ideas, all flawlessly executed. There’s no mistaking a Billy premiere — it’s always visually and experientially unique and seriously great fun.” 

Butchkavitz has carte blanche in selecting awards season celebration themes, but when planning premiere parties, he works with HBO executives to develop a game plan, generating ideas by watching advance screenings and picking out elements unique to the show.

For the September premiere of one of the cable network’s most recent hits, the futuristic Old West–themed Westworld, held at Hollywood’s TCL Chinese Theatre and the nearby Hollywood Roosevelt Hotel, Butchkavitz recreated the show’s homage to Leonardo da Vinci’s iconic Vitruvian Man, devising a 13-foot-tall Styrofoam replica of a white skeleton-like figure standing inside a giant circle with arms and legs outstretched. In the series, the circle serves as a device that creates very human-like robots, known as “hosts,” which help “guests” play out their darkest desires at an Old Western fantasy playground. Butchkavitz also created a “laboratory” in the hotel lobby, with metal sculptures representing the initial stages of the manufactured “hosts” and a second Vitruvian Man holding court in the center of the room. In the hotel’s ballroom, partygoers dined against a Westworld town backdrop, while other venues in the hotel became show-inspired settings: a brothel, a casino and an underground storage facility for discarded “hosts.” Outside, yet another, larger Vitruvian Man rotated on the hotel’s facade — a convincing projection, created by master projection designer Bart Kresa, with whom Butchkavitz routinely works to create an otherworldly, immersive experience.

By his own admission, Butchkavitz was a colorful kid. (“In school, I was the one who decorated the classroom [for the holidays],” he recalls, “and at home would tell my mom which drapery we should get.”) So it comes as no surprise that he ended up in the line of work he did. Even so, he didn’t set out to be a designer. In fact, he was on track to pursue a career in broadcast journalism before a bit of serendipity changed all that

The Philadelphia native’s serendipitous moment came after he graduated from Temple University in 1985 and moved to Hawaii to intern at a local TV station. Butchkavitz also began working for a catering company as a waiter/decorating assistant, and as a lifeguard for an exclusive, privately owned home that was featured on the TV series Magnum P.I. and often rented out for special affairs. “The two women who owned the catering company were also into flowers and they taught me all about their treatment, care and design,” he says. “After working for them for about a year, they asked me if I wanted to do the décor for a party they couldn’t take on because they were going out of town.”

It turned out to be a high-end affair at Honolulu’s Bishop Museum for the National Audubon Society and England’s Prince Philip, for which Butchkavitz created a vibrant luau-themed event. That celebration’s success sparkedted a stream of calls from other aspiring clients.For the next eight years, Butchkavitz designed private parties for wealthy Japanese families in Hawaii and produced celebrations for a number of hotel openings. He met HBO executives at the opening of Oahu’s Ihilani Resort & Spa in 1994 (now the Four Seasons Resort Oahu at Ko Olina), and they liked what they saw. Once Butchkavitz started working with them, HBO’s party strategy evolved from hotel dinners to spectacular events in enormous tents — sometimes requiring street closures in West Hollywood and Beverly Hills — including a memorable Moroccan-themed Golden Globe bash in 2005. “I have never been to Morocco, actually, but I buy so much stuff from there through my importers,” he says. “A lot of the design, particularly the inlay, is very similar to that found in Egypt, Syria and Lebanon.” It’s one of the few countries he hasn’t visited yet. He’s also had textiles made in Argentina, Brazil, Mexico, Turkey and Europe. 

When shopping overseas, Butchkavitz has learned to ask a lot of questions — and with good reason. “I once saw these really beautiful urns when I was preparing for one of my first parties in Thailand, at the Mandarin Oriental in Bangkok. Some were done in metalwork and some were painted porcelain,” Butchkavitz recalls. “I decided to use a number of pagoda-shaped ones as vases. I found out after the fact that the little pagodas were actually funeral urns.” 

When he started working with HBO in 1994, Butchkavitz left Hawaii and moved to downtown Los Angeles, where still he has a 10,000-square–foot warehouse. That’s where he stores exotic props and treasures he can’t bear to give up, plus all the shipments for upcoming celebrations. You won’t find a lot of furniture from past parties there, however, since Butchkavitz isn’t in the habit of reusing things. Instead, he gives many reusable furniture items to one of his vendors, Town & Country Event Rentals. “You’ll very rarely see me reuse something,” he says. “If I do, it might be a very generic urn — like the ones I had made in the ’90s for a Sopranos premiere in New York; they look very Tuscan but they’re just very neutral and really tall. I still use those.”

Three-and-a-half years ago, he moved to Pasadena. “I love Pasadena. When I lived in downtown L.A., there was nothing down there; there were homeless people everywhere, hardly any restaurants…so I would come to Pasadena to go to Trader Joe’s or the movies,” he says. 

He walks around town as much as possible and, more than once, he’s been inspired by strolls through the majestic botanical gardens of The Huntington Library, Art Collections and Botanical Gardens in San Marino. “I was totally inspired by the Huntington’s water lilies for a party I recently did for Bizbash,” he says, adding that the silhouette of water lilies adorned the carpet,  tabletops and walls.

Since the Emmy celebration wrapped, Butchkavitz has been hard at work preparing for January’s Golden Globes, the details of which, at press time, were still top secret. Inspired by the late legendary Hollywood designer Tony Duquette, who worked on movie sets, in jewelry and in interior design until he passed away at the age of 85, Butchkavitz is thinking about branching out into other areas. He says he’s been approached about doing reality shows but has turned down the offers because he’s afraid the overexposure would cheapen his product. “I’ve also been approached to do a line of vases and china but I’m not ready to do that yet. I’d definitely like to do a movie set, though,” he adds. “I’m in it for the long haul. I want to keep doing this until I’m in my 80s.”  

Billy’s Holiday Tips

While Billy Butchkavitz has decorated many hotels, resorts and private residences with gorgeous over-the-top designs for the holidays, when it comes to decorating his own home, he prefers to keep things a little simpler. Here are six of his decorating tips for a more personal touch.


Make sure that whatever decoration you’re putting up isn’t too difficult to install and is equally easy to take down. “Once the holiday season is over, I don’t want to waste a lot of time packing and storing holiday décor,” Butchkavitz says. “That’s why I tend to use a lot of live holiday greens and flowers that can be thrown away once they are past their glory.”


Butchkavitz likes to use containers he already owns to display things. “I’m not a big fan of tree stands,” he says. “I much prefer placing trees in decorative urns or planters.”


Butchkavitz likes to incorporate layers, assorted textures and mixed patterns in his holiday presentations. If you’ve got some figurines or other small decorative pieces, blend them into your display of presents under the tree to add some depth, whimsy and texture. “If you choose wrapping paper, boxes and ribbons that work with your design palette, that’s an extra bonus,” he says.


“Since my place is already overloaded with color, I tend to stick with white lights, white candles, Christmas greens, red ornaments and red and gold ribbons,” he says. For darker interiors, he suggests using lots of silver and/or gold. Got a neutral colored space? “Use assorted festive holiday colors and go to town!”


If you don’t want to spend a lot of money on holiday décor, “a few wreaths and holiday greens, decorative ribbons, some bowls and vases filled with colorful ornaments and lots of white or ivory candles” will go a long way toward capturing the holiday spirit, he says. 


“The cleaner, neater and tidier an environment is, the better the holiday decor will look.”